Dates & Deadlines

  • Applications open: September 22, 2026
  • ​Applications due: November 22, 2026 (11:59 ET)
  • Grantees notified: early February 2027
  • Proposed projects should occur between February 2027–February 2028, and reach a public outcome in Philadelphia within this time.

Application Checklist

  • Lead Applicant Details (Name, Address)
  • Brief Biography of Lead Applicant & Collaborators
  • Description of Audience
  • Description of Visual Arts
  • Project Proposal (Written & Video Options)
  • Project Timeline
  • Budget Form (Blank Budget PDF | Google Sheet Options | Sample Budget PDF)
  • 5–10 Work Samples

Still from Taking in the Tailors, featuring Larnell Baldwin of Baldwin’s Leather and Fabrics. Filmed on 16mm by Ty Burdenski, Aidan Un, and Catching on Thieves, 2025.

A moment from TENANTS/TENETS: PLAYGROUND RULEZ, a movement workshop series by Very Good Dance Theatre, in 2024. Photo by Torian Ugworji.

Who can apply?

  • Individual artists living in Philadelphia
  • Artist-run spaces & collectives, whose lead applicant lives in Philadelphia

Who cannot apply?

  • Incorporated 501(c)3 not-for-profit organizations
  • For-profit businesses
  • Artists who live outside of Philadelphia
  • A Lead Applicant who received a Velocity Fund grant the previous year
  • Senior staff at Asian Arts Initiative

What types of projects are eligible for the Velocity Fund?

  • Projects that involve visual arts components
  • Projects that will take place between February 2027–February 2028
  • Projects that will reach a public outcome in Philadelphia, within this grant period

What types of projects have received the Velocity Fund?

  • Projects that are rooted in their communities, designed and realized by people within or with built connections to those communities
  • Projects that are led by artists, often collaboratively
  • Projects that consider their impact, whether immediate or ongoing, whether through their public outcome or through their process
  • Projects and programs that take place in their communities, rather than in traditional arts spaces like commercial galleries and museums; projects that otherwise complicate the relationships between visual art and institutions